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the currency and to grant a new birth to a new Peso ($1=m$n100), so that what then was valued as 10 or 50 pesos would now become 10 or 50 cents respectively.
From a numismatic point of view, the new banknotes were characterized by having all the same measurements (155 x 75mm), unlike the "moneda nactional" banknotes whose size grew with its face value. It was foreseen to put into circulation notes of 1,5,10,50,100,500, and 1,000 pesos, although the inflational spiral deemed it necessary to issue face values up to 1,000,000. So that the change would not be so abrupt, the Central Bank - in a first state - overprinted in the left oval banknotes between m$n100 to 10,000 (converting them into notes from 1 to 100 "peso ley") so that the public might visualize the equivalencies. The only new banknote that hit the streets from the first moment was the one (1) peso note with the image of Manuel Belgrano. Little by little, the other denominations were incorporated, maintaining the colors of the equivalent notes from previous issues.
The centavos, which had fallen into disuse because of their lack of value, began to have value again, and thus official propaganda bounced back again. New coins of 1,5,10,20, and 50 centavos with the effigy of "Liberty" and impression mark 1970 would see the light of day, all of them in a circular shape. (The 5,10, and 25 Pesos m/n that were seen being used had 12 sides). In any case, neither the old coins nor the new ones specified to what monetary value they belonged.
Source: El Telegrafo del Centro, Centro Numismatico, Buenos Aires, Ano 4, Numero 17, Diciembere, 1999.
Courtesy: Carlos Alberto Graziadio
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